| Wolfgang Amadeus Mozart |
|
Wolfgang Amadeus Mozart
Variations for Piano
Bärenreiter Urtext
Edited by Kurt von Fischer
BA 5746
Euro 19,50
|
To view the complete music example, click here.
|
Mozart wrote piano variations throughout his career; the earliest examples date from 1766,
while the last work originated in 1791, the year of his death. On his concert tours Mozart drew storms of applause for his improvisations.
His sets of variations were written in immediate response to these extempore performances, drawing mainly on the substance of the theme and
its pianistic adornment.
This performing edition contains all of Mozart's piano variations, including the surviving fragments. |
|
Wolfgang Amadeus Mozart
Miscellaneous Works for Piano
Bärenreiter Urtext
Edited by Wolfgang Plath
BA 5745
Euro 19,50
|
|
|
This handy performing edition contains all of Mozart's miscellaneous works for piano, including those that arouse from his study of Bach and
Handel (e. g. the great C major Prelude and Fugue, K. 394/383a). It also includes Mozart's own arrangements of his orchestral dances
and marches and several fragmentary fugues. Many of these pieces appear for the first time in a performing edition. By assembling this widely
dispersed body of music, the renowned Mozart scholar Wolfgang Plath has produced a ground-breaking achievement. |
|
|
Franz Schubert |
|
Franz Schubert
Early Sonatas for Piano
Bärenreiter Urtext
Edited by Walburga Litschauer
BA 5642
Euro 34,90
|
To view the complete music example, click here.
|
|
This comprehensive performing edition contains all of Schubert's early piano sonatas. Many of them are incomplete, and all are experimental in character, as is
evident in their wide-ranging choice of keys. Besides complete movements, all the surviving early versions and drafts are also included, thereby giving the reader a revealing glimpse
into Schubert's compositional »workshop«. Once again Walburga Litschauer has produced a definitive Urtext and a detailed preface covering the genesis and source of
these works. The idiosyncracies of Schubert's notation are captured in many facsimiles from his autograph sources.
In point of completeness, this volume is without peer.
|
|
Johann Sebastian Bach
|
|
Johann Sebastian Bach
Musical Offering BWV 1079
Bärenreiter Urtext
Revised and enlarged new edition
Edited by Christoph Wolff
BA 5154
Euro 10,00
|
To view the complete music example, click here.
|
In May 1747 Bach appeared before Frederick II in Potsdam and improvised on a theme proposed by the king himself, playing a Silbermann
pianoforte. In all likelihood the three-voice Ricercar reproduces this improvisation in polished form. The six-voice Ricercar was
supplied later in response to the king's request for a »fugue in six obligato parts« as Bach only felt capable of improvising such a
fugue on a subject of his own choice.
This new edition of the two ricercars from the Musical Offering has been revised and enlarged on the basis of the latest Bach scholarship.
It contains not only the printed version of the six-voice Ricercar but the autograph early version as well. Rounding off the volume are a complete
facsimile reproduction of the manuscript, facsimiles of Bach's dedication in the printed edition and a preface discussing the work's origins and
performance.
|
|
Johann Sebastian Bach
The French Suites BWV 812 - 817
Embellished Version
Bärenreiter-Urtext
Edited by Alfred Dürr
BA 5166
Euro 11,00
|
Already published:
Johann Sebastian Bach
The six French Suites BWV 812-817
The versions A and B as well as the variant versions BWV 814a, BWV 815a
Two suites in A Minor and E-flat major BWV 818, 819, 818a, 819a
Bärenreiter-Urtext
BA 5219
Euro 21,50
|
|
Drawn from the Urtext of the New Bach Edition, this performing edition contains the popular embellished version of the
French Suites in a separate volume. It is specially designed to meet the needs of piano teachers. It also contains instructive
facsimiles and a table of ornaments. A detailed preface by the renowned Bach scholar Alfred Dürr provides information of the work and the musical
characters of the dances.
|
|
| The Symphonic Organ: Max Gulbins |
|
The Symphonic Organ
Max Gulbins
Sonata No. 4 C major »Paulus. Ein Charakterbild« op. 28 (1904)
Edited by Klaus Uwe Ludwig (4)
BA 8453
Euro 14,50
|
Already published:
Volume 1 BA 8245 Reimann
EUR 12,50
Volume 2 BA 8246 Leupold
EUR 14,50
Volume 3 BA 8247 Parker
EUR 17,50
Volume 4 BA 8451 Poschadel
EUR 14,50
Volume 5 BA 8452 Claußnitzer
EUR 14,50 |
Our »Symphonic Organ« series focuses mainly on organ works from the late 19th century and early modern
period: It includes unjustly neglected or previously unknown literature and rarities, all of masterly workmanship and superior quality.
Max Gulbins (1862 - 1932) was an organ professor active as cantor and organist in Breslau from 1908.
He was a master of thematic variation and composed »biblical pictures« typical of their day, shaping chorale arrangements into characteristic genre paintings. |
|
| Easy Organ Pieces |
|
Easy Organ Pieces from the 19th Century
Volume 2
Edited by Martin Weyer (2)
BA 8417
Euro 24,50
|
Music example from Volume 1 (BA 8416), Froberger: Andante
|
This volume is a welcome addition to our series of easy 19th century organ pieces. It offers another selection of short non-chorale-based pieces for one- and
two- manual instruments, grouped into standard keys and primarily intended for part-time organists.
Drawing ont the vast 19th-century literature, the editor has chosen only pieces that combine solid workmanship with easy playability. Their short duration makes them
ideal for use in church services as introits and postludes.
The edition also includes a detailed discussion of performance practice and a list of sources.
|
|
| Johann Jacob Froberger |
|
Johann Jacob Froberger
New Edition of the complete Works
Volume III: Keyboard and Organ Works from Copied Sources
Partitas and Partita Movements, Part 1
Bärenreiter-Urtext
Assisted by Kenneth Gilbert
Edited by Siegbert Rampe (3)
BA 8065
Euro 44,00
|
|
|
The New Froberger Edition offers interested amateurs and professional musicians and musicologists alike a musical text that meets the
needs of performers while supplying a full account of all the known sources and their origins. It includes many works newly discovered
by the editor. This bilingual urtext edition is scheduled to appear in five volumes ending with a complete thematic catalogue.
Each volume opens with an introductory discussion of the works' genesis, sources, performance practice and editorial methodology and ends with a critical
report. The Froberger Edition will be incorporated in the series Denkmäler der Musik in Baden-Württemberg.
|
|