Wolfgang Amadeus Mozart: Concertos for Wind Instruments
Urtext- and practical editions with Cadenzas and Eingänge
byRachel Brown / Konrad Hünteler / Karl Engel (Flute Concerto)
Frank de Bruine (Concerto for Oboe)
Jane Gower (Concerto for Bassoon)
Dennis Brain / Timothy Brown / Dominic Nunns (Concertos for Horn)
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Concerto in G major for Flute and Orchestra, K. 313 Edited by Franz Giegling New piano reduction based on the Urtext of the NME by Martin Schelhaas Cadenzas by Rachel Brown, Konrad Hünteler and Karl Engel BA 4854a Euro 12,95 Music samples |
Rachel Brown has studied at the Royal Northern College of Music with Trevor Wye and Lisa Beznosiuk. She now teaches at The Guildhall School of Music and Drama and The Royal College of Music in London. Konrad Hünteler has been Professor at the Münster division of the Detmold Academy of Music since 1979. Since 1991 is the artistic director of the Camerata of the 18th Century. |
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Concerto in E-flat major for Horn and Orchestra, K. 447 »Nr. 3« Edited by Franz Giegling New piano reduction based on the Urtext of the NME by Martin Schelhaas Cadenzas by Dennis Brain*, Timothy Brown and Dominic Nunns BA 5312a Euro 12,50 Music samples |
*Dennis Brain (1921-1957) english horn player. He studied at the Royal Academy of Music in London with his father Aubrey, played with the Busch Chamber Players and later became principal horn player of the Royal Philharmonic Orchestra and later on of the Philharmonia Orchestra. In later years he played more and more as a soloist, recording numerous concertos and performing works, that were composed especially for him. |
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Concerto in E-flat major for Horn and Orchestra, K. 495 »Nr. 4« Edited by Franz Giegling New Piano Reduction based on the Urtext of the NME by Martin Schelhaas Cadenzas and Eingänge by Dennis Brain, Timothy Brown and Dominic Nunns BA 5313a Euro 13,90 Music samples |
Cadenzas Eingänge The Cadenzas and Eingänge brochure accompanying this edition offers for the first time in print the cadenza to this work by the famous horn player Dennis Brain. Brain's cadenza was written for and performed on the modern valve horn. This cadenza is printed in F and E-flat and a modified version can also be found here for the natural horn. Timothy Brown's cadenza was written for and performed on the hand-horn. It has been transposed to F for the valve horn by the English horn player Dominic Nunns. Brown performs his cadenza on the hand-horn with the Orchestra of the Age of Enlightenment on Virgin Classics VC 7 90845-2 (1990) and on the valve horn with minor changes with the Academy of St. Martin in the Fields on Hänssler Classic 98.216 (1997). |
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Concerto in E-flat major for Horn and Orchestra, K. 417 »Nr. 2« Edited by Franz Giegling New Piano Reduction based on the Urtext of the NME by Martin Schelhaas Eingänge by Timothy Brown and Dominic Nunns BA 5311a Euro 13,95 Music samples |
Eingänge Timothy Brown's Eingang was written for and performed on the hand-horn. It has been transposed to F for the valve horn by the English horn player Dominic Nunns. Brown performs his Eingang on the hand-horn with the Orchestra of the Age of Enlightenment on Virgin Classics VC 7 90845-2 (1990) and on the valve horn with minor changes with the Academy of St. Martin in the Fields on Hänssler Classic 98.216 (1997). |
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Concerto in B for Bassoon and Orchestra, K. 191 (186e) Edited by Franz Giegling New piano reduction based on the Urtext of the NME by Martin Schelhaas Cadenzas and Eingänge by Jane Gower BA 4868a Euro 11,95 Music samples |
Cadenzas and Eingänge The examples provided were composed along the guidelines of eighteenth century treatises, and differ from the majority of twentieth century and modern compositions on a number of points. The concerto contains two opportunities for Eingänge, signified by the fermatas in the Allegro (bar 97) and the Rondo (bar 107). Two examples are provided for the Allegro to cover differing interpretations of the two fermatas. |
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Concerto in C for Oboe and Orchestra, K. 314 (285d) Edited by Franz Giegling New piano reduction based on the Urtext of the NME by Martin Schelhaas Cadenzas and Eingänge by Frank de Bruine Reference score for comparing the Urtext oboe part with the Urtext flute part BA 4856a Euro 14,50 Music samples |
This publication includes a solo oboe part prepared for performance and an extra brochure with cadenzas and lead-ins by Frank de Bruine. In the prepared performance part several passages have been replaced by readings found in the flute version. As an aid to performers a reference score is provided with the Urtext oboe part set above the Urtext flute part from the NMA, in this way players can quickly determine where the differences lay. |
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Concerto in A for Clarinet and Orchestra, K. 622 Edited by Franz Giegling New piano reduction based on the Urtext of the NME by Martin Schelhaas containing the reconstructed part for Bassett-Clarinet and suggestions for the embellishment of the fermatas in the first movement BA 4773a Euro 14,95 Music samples |
The embellishment of the fermatas in movement 1, mm. 127 and 315, the readings from the 1801 arrangement for flute and orchestra in G major by A. E. Müller1 have been transposed to A major. Players are also encouraged to take note of the articulation in this arrangement and of that found in the 1802 arrangement of the work for viola and orchestra2. 1 = BA 5335 2 = BA 5336a |