Joseph Haydn

(1732-1809)

Performance material with the Urtext of the Complete Edition
»Joseph Haydn · Works«, published by G. Henle Verlag, Munich

Symphonies
Concertos
Choral Works with Orchestra

Symphonies

London Symphonies

- in D major Hob. I: 93
2,2,0,2, - 2,2,0,0 - Timpani - Strings / 25'
(R. v. Zahn)
BA 4698

- in G major Hob. I: 94
2,2,0,2, - 2,2,0,0 - Timpani - Strings / 25'
(R. v. Zahn)
BA 4680

- in C minor Hob. I: 95
1,2,0,2, - 2,2,0,0 - Timpani - Strings / 25'
(R. v. Zahn)
BA 4699

- in C major Hob. I: 97
2,2,0,2, - 2,2,0,0 - Timpani - Strings / 25'
(R. v. Zahn)
BA 4694

- in B-flat major Hob. I: 98
1,2,0,2, - 2,2,0,0 - Timpani - Strings / 28'
(R. v. Zahn)
BA 4695

- in E-flat major Hob. I: 99
2,2,2,2, - 2,2,0,0 - Timpani - Strings / 23'
(H. Walter)
BA 4674

- in D major »The Clock« Hob. I:101
2,2,2,2 - 2,2,0,0 - Timpani - Strings / 27'
(H. Walter)
BA 4671

- in B-flat major Hob. I:102
2,2,0,2 - 2,2,0,0 - Timpani - Strings / 26'
(H. Unverricht)
BA 4666

- in E-flat major »Drum Roll« Hob. I:103
2,2,2,2 - 2,2,0,0 - Timpani - Strings / 30'
(H. Unverricht)
BA 4667

- in D major »London« Hob. I:104
2,2,2,2 - 2,2,0,0 - Timpani - Strings / 29’
(H. Unverricht)
BA 4668


Symphonies named after the times of day

The layout of the »Symphonies named after the times of day« score more closely approximates Haydn's own practices than in any previous edition.
Haydn's distinction between violoncello, bassoon and violone has been retained throughout. Despite many printed editions, recordings and a widespread opinion to the contrary, Haydn did not intend a harpsichord to take part in the performance of this work.

- Symphony No. 6 in D major »Le Matin« Hob. I:6
1,2,0,1 - 2,0,0,0 - Strings (with Solos) / 23'
(J. Braun / S. Gerlach)
BA 4670

- Symphony No. 7 in C major »Le Midi« Hob. I:7
2,2,0,1 - 2,0,0,0 - Strings (with Solos) / 24'
(J. Braun / S. Gerlach)
BA 4672

- Symphony No. 8 in G major »Le Soir« Hob. I:8
1,2,0,1 - 2,0,0,0 - Strings / 26'
(J. Braun / S. Gerlach)
BA 4673


Other Symphonies


- Symphony in C major »L'Ours« Hob. I:82
1,2,0,2 - 2,0,0,0 - Timpani - Strings / 20'
(S. Gerlach, K. Lippe)
BA 4690


- Symphony in G minor »La Poule« Hob. I:83
1,2,0,2 - 2,0,0,0 - Strings / 20'
(H. Nakano)
BA 4687


- Symphony in A major Hob. I:87
1,2,0,2 - 2,0,0,0 - Strings / 20'
(H. Nakano)
BA 4685


- Symphony in B-flat major »La Reine« Hob. I:85
1,2,0,2 - 2,0,0,0 - Strings / 20'
(H. Nakano)
BA 4686

Concertos

Piano

Concerto in D major Hob. XVIII:11 for Piano (Harpsichord) and Orchestra
0,2,0,1 (ad lib.) - 2,0,0,0 - Strings / 20'
(H. Walter / B. Wackernagel)
BA 4679
BA 4679 90 Piano Reduction



Violoncello

Concerto in C major Hob. VIIb:1 for Violoncello and Orchestra
0,2,0,0 - 2,0,0,0 - Strings / 25'
(S. Gerlach)
BA 4684
BA 4684 90 Piano Reduction (Chr. Held / R. Ginzel)
TP 291 Study Score


Concerto in D major Hob. VII b:2
for Violoncello and Orchestra
0,2,0,1 (ad lib.) - 2,0,0,0 - Strings / 27'
(S. Gerlach)
BA 4675
BA 4675 90 Piano Reduction
TP 292 Study Score



Trumpet

Concerto in E-flat major Hob. VIIe:1 for Trumpet and Orchestra
2,2,0,2 - 2,2,0,0 - Timpani - Strings / 14'
(M. Ohmiya / S. Gerlach)
BA 4669
BA 4669 90 Piano Reduction (S. Zorzor)
TP 351 Study Score

Choral Works with Orchestra

Missa brevis in F major Hob. XXII: 1
in both instrumentations
Soloists: SS - Chorus: SATB - 1,0,2,2 - 0,2,0,0 - Timpani, Strings - Organ / 15'
(J. Dack / G. Feder)
BA 4644
BA 4644 90 Vocal Score


Missa in honorem Beatissimae Virginis Mariae Hob. XXII: 4
Soloists: SATB - Chorus: SATB - 0,2,0,0 - 2,2,0,0 - Timpani, Strings - Organ /
(J. Dack / M. Helms)
BA 4646
BA 4646 90 Vocal Score


Missa Cellensis in honorem Beatissimae Virginis Mariae Hob. XXII: 5 »Cäcilienmesse«
Soloists: SATB - Chorus: SATB - 0,2,0,2 - 0,2,0,0 - Timpani - Strings - Organ / 68'
(J. Dack / G. Feder)
BA 4643
BA 4643 90 Vocal Score (O. Kroupová)


Missa Sankti Nikolai Hob. XXII: 6 »Nicolai Mass«
Soloists: SATB - Chorus: SATB - 0,2,0,0 - 2,2,0,0 - Timpani - Strings - Organ /
(J. Dack / M. Helms)
BA 4645
BA 4645 90 Vocal Score (O. Kroupová)


Missa brevis St. Joannis de Deo »Little Organ Mass« Hob. XXII: 7
Soloists: S - Chorus: SATB - Strings (without Viola) - Organ / 15'
(H. C. Robbins Landon / K. H. Füssl / Chr. Landon)
BA 4653
BA 4653 90 Vocal Score (H. Moehn)
TP 95 Study Score


Missa in Tempore Belli »Mass in Time of War« Hob. XXII: 9
Soloists: SATB - Chorus: SATB - 0,2,2,2 - 2,2,0,0 - Timpani - Strings - Organ / 45'
(H. C. Robbins Landon / Chr. Landon / K.-H. Füssl)
BA 4652
BA 4652 90 Vocal Score (H. Moehn)
TP 94 Study Score


Missa in angustiis »Nelson Mass« Hob. XXII:11
Soloists: SATB - Chorus: SATB - 1,2,2,1 - 2,3,0,0 - Timpani - Strings - Organ / 41'
(G. Thomas)
BA 4660. Score (+ Hob. XXII: 12, JHW XXIII/3) (clothbound)
BA 4660 90 Vocal Score (H. Moehn)
TP 98 Study Score


Missa in B-flat major »Theresa Mass« Hob. XXII:12
Soloists: SATB - Chorus: SATB - 0,0,2,1 - 0,2,0,0 - Timpani - Strings - Organ / 42'
(G. Thomas)
BA 4661. Score (+ Hob. XXII:11, JHW XXIII/3) (clothbound)
BA 4661 90 Vocal Score (H. Moehn)
TP 99 Study Score


Missa in B-flat major »Harmony Mass« Hob. XXII:14
Soloists: SATB - Chorus: SATB - 1,2,2,2 - 2,2,0,0 - Timpani - Strings - Organ / 50'
(F. Lippmann)
BA 4659. Score (JHW XXIII/5)
BA 4659 90 Vocal Score (H. Moehn)
TP 97 Study Score


Stabat Mater Hob. XX bis
Soloists: SATB - Chorus: SATB - 0,2 (English Horn), 0,0 - 0,0,0,0 - Strings - Organ / 69'

A later version, probably from 1803, with enlarged wind orchestration by Sigismund Neukomm under Haydn's guidance

Soloists: SATB - Chorus: SATB - 1,2,2,2 - 2,2,3,0 - Timpani - Strings - Organ / 69'
(M. Helms / F. Stoltzfus)
BA 4642
BA 4642 90 Vocal Score
(Ernst R. Barthel)

The new scholarly-critical edition of Joseph Haydn's Stabat Mater (1767) is published in Henle's complete edition of Haydn's works. This edition is the first to come as close as possible to the lost original and has been compiled using all currently available sources. The score has been fully amended. In its original orchestration for two oboes or English horn, strings and organ, the score now conveys Haydn's intended intimate sound quality.

At a later performance of this work, probably in 1803, Haydn attempted to accommodate the intervening changes in musical taste. According to the composer's request and under his supervision, Sigismund Neukomm enlarged the wind orchestration by adding a flute, two clarinets, two bassoons, two French horns, trumpets and timpani.

We offer the Stabat Mater in its original scoring as well as Neukomm's scoring.